In the quiet atmosphere of a lounge near London's prestigious dance company, Matthew Ball orders a mint tea. The dancer's posture is effortlessly straight-backed, his arms defined beneath a plain white T-shirt. During performances, ballet dancers can seem like mighty deities, yet often offstage they are small. Not so Ball, whose tall stature is one reason for his demand for princely roles and partnering. Possessing delicate traits and intense eyes, there's a hint of a brooding actor about him.
A Seamless Ascent to the Pinnacle
At 31, Ball is experiencing the peak of a career that has advanced smoothly. Raised in Liverpool, he faced little teasing for his early interest in ballet. Entering the esteemed training institution at 11, he graduated straight into the troupe and was promoted each year, attaining the top rank of principal in 2018. He has relished taking on substantial dramatic roles, especially the psychological angst found in a famed choreographer's ballets.
"Your lungs are burning, your legs get heavy, but it’s really a mental fatigue."
His upcoming featured role is as himself, in an "Evening With" event designed to offer behind-the-scenes perspectives into a performer's craft. He will guide the audience through a part, demonstrating his mental process during execution. Yet in lighter works, the test is profound. "Don Quixote is one of the toughest technically," he notes.
The Mental Game and After the Show Feelings
How does he feel after a show, when he has pulled it off? "It's pretty good," he says. "However because I'm trying to extract all the juice out of it, and get immersed in the character, quite often I do feel self-conscious afterwards. Following Mayerling I'm always like: Wow, what must people think?"
Offstage, Ball is reflective, polite, and quick to laugh at himself. Yet a dance maker once observed on a "kind of suffering in him." Does this exist? "I'm quite energetic usually, but I do have a dark side," he confesses. "I somewhat enjoy pessimism sometimes. I've always felt that doubt has been an instigator for good change."
Early Drivers and Creative Inspirations
Ball's determination stemmed from youthful setbacks. Not doing well in contests at school made him "vengeful!" It was fuel to prove he could achieve. Reading the book *Mao's Last Dancer* was a "pivotal" moment. "It flipped a switch, it made me go a bit fanatical," he recalls.
The next challenge is making his own dance works. For Ball, "there's nothing wrong with." "Breaking the conventions is compelling, but just acting that they’re not a thing any more – I don’t know how far you can go with that." He wants his work to be loaded with substance, drawing ideas from literature, music, and painting.
Close-Up Performance and Personal Dynamic
He also is interested in presenting dance in more intimate spaces. "It was just really thrilling," he says of a past show. "You’re so close to the audience. I felt as if they were thinking: 'That’s a human, and they’re sweating.'"
Ball has made pieces with his partner, fellow lead dancer Mayara Magri. The level of faith between them is clear. "We first practiced on a beach," he says of a daring lift. "It resembled Dirty Dancing." The couple are not typically paired on stage at their home company, which is perhaps beneficial. "We’re both quite determined people, so it’s not always smooth sailing," he notes. "But I feel like we’re each other’s biggest cheerleader."
Regarding Instagram and Physical Perception
On Instagram, fans can see videos from his dance films and images that showcase a athletic form. Does he mind that the response can be a bit focused on appearance? Not particularly. "The body is just what we use, so I don’t feel very protective about it," he states. He relates it to viewing Michelangelo’s David—something that can be interpreted on multiple ways.
Ball characterizes his early self as "desperate for success." Has it met his hopes? "I feel very aware of how reality is a separate reality to the aspirations you had as a child," he muses. He probably has another decade of performing left. "I guess in the time to come, I want to be a bit more gentle with myself."